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媒體合作夥伴

Fang Lijun


Araki Nobuyoshi
Au Hoi Lam
Cai Guoqiang
Cao Hui
Christian Schoeler
Fan Mingzheng
Fang Lijun
Feng Zhengjie
Han Jinpeng
Huang Jia
Ji Dachun
Jia Juanli
Jia Pingxi
Jiang Huajun
Justin Cooper
Kang Haitao
Klavdij Sluban
Li Hongjun
Liang Quan
Lui Chun Kwong
Luo Quanmu
Marc Riboud
Ng Kwun Lung Tony
Parry Ling Chin Tang
Qu Guangci
Roger Ballen
Shen Liang
Sheng Shanshan
Song Chen
Song Kun
Sui Jianguo
Tan Jun
Tan Ping
Tian Tian
Tsang Chui Mei
Unmask
Vivian Poon
Wang Chuan
Wei Qingji
Wei Yan
Wu Di
Wu Haizhou
Xia Xiaowan
Xiong Yu
Yan Shanchun
Yin Zhaoyang
Yu Aijun
Zach Gold
Zhangjian

1963

Born in Handan, Hebei province China

 

Lives and works in Beijing

 

1980-1983

Hebei Light Industry College, Ceramic Art Studies, China

1985-1989

Graduated at Print Dept. the Central Institute of Fine Arts, Beijing, China

 

One of the leading proponents of the early 1990s Cynical Realist movement, Fang Lijun’s work encapsulates the disillusionment of China’s youth; a generation defined by the events at Tiananmen Square and China’s internal domestic policies. Constructed around loose narratives Fang’s images personalise sentiments of disenchantment, angst, and rebellion; his fictional suggestions conveyed through his illustrative style and re-occurring bald-headed protagonist.

 

Fang’s practice exhibits a rarefied technical skill rigorously studied through his Social Realist training; his combination of this aesthetic with references to contemporary comics, folk art, and dynastic painting characterise a national identity in flux, distilling a position of integrity from tradition and the modern world.

 

Fang’s monumental sized prints revive the ancient Asian practice of woodblock printing — a complicated and exacting process of carving a ‘negative’ image into a panel, coating the surface in ink, and impressing the image onto paper; each different colour and tone requires a separate plate and order of printing. Due to their immense scale, Fang’s images are composed on several adjoined scrolls; the elongated strips create both an emotive fragmenting of the image, and create a reference to memory and historical testimony. Thematically, each of these prints describe the plight of the individual against the ‘mass’, creating a spiritual contemplation of solitude the quest for personal probity in the face of adversity.

 

Fang’s painting 30th Mary evokes these same sentiments with a humorous effect. Reminiscent of European church ceiling paintings, Fang portrays an order of ascendancy of same-same kewpie figures, each based on his own image. Executed with painstaking hyper-realism, the clouds formulate as a tempestuous funnel rather than a portal of billowing promise. Contrasted with the kitsch palette and pop rendering of the grotesque cherubs, Fang’s painting approaches the sanctity of ideological assurance with an empathetic cynicism.

 

Solo Exhibition

 

2012

Living Multitudes – Fang Lijun Solo Exhibition , Times Square, Hong Kong

 

2011

From Symbols to Analysis, Xi’an Museum, Xi’an, China
 Fang Lijun Document into University, Southwest Jiaotong School of Art
 and Communication, China,Jakarta, Indonesia

2010

Fang Lijun_An Accidental Myth, Tank Loft * Chongqing Contemporary
 Art Center, Chongqing, China
 Fang Lijun, Art Museum of Shanxi University, Taiyuan, China
 Fang Lijun, Today Art Museum, Beijing, China

2009

Fang Lijun: Thread of Time, Guangdong Museum of Art, Guangzhou,China
 Fang Lijun, Sea and Sky, Kunsthalle Bielefeld, Bielefeld, Germany
 Living Like a Wild Dog 1993-2008 Fang Lijun’s Archive, Taipei Fine Art Museum, Taipei, Taiwan
 Fang Lijun, Arario New York, New York, U.S.A. 

2008

Chinese Painting: Zhang Xiaogang, Fang Lijun and Feng Mengbo,
The Galerie Rudolfinum, Prague, Czech

 

2007

Fang Lijun Print Exhibition, dARTex [The Danish Art Exchange], Beijing, China; The Art Gallery of Vendsyssel, Denmark; The Art Gallery of 
the Faroe Island; The Kastrupgaard Collection, Denmark
Fang Lijun Solo Exhibition, Shanghai Art Museum, Shanghai, China
FANG LIJUN, Hunan Provincial Museum, Changsha, China
FANG LIJUN PLACES TO PLACES TO PLACES, Alexander Ochs Galleries Berlin, Berlin, Germany
FANG LIJUN: the Heads, The Laboratory of Art and Ideas at Belmar,Denver, U.S.A.

 

2006

Fang Lijun: TODAY, Today Art Museum, Beijing, China
 From My Hand, Sculptures & Woodcuts by Fang Lijun, Mickael Berger, Gallery, U.S.A.
 Life is Now: Solo Exhibition by Fang Lijun, CP Foundation; Galeri
 Nasional Indonesia, Jakarta, Indonesia
 Fang Lijun – Holzschnitte und Zeichnungen, SMB Kupferstichkabinett
 Staatliche Museum zu Berlin, Berlin, Germany
 Fang Lijun, gravures sur bois (woodcuts!_in translation),Galerie de France, Paris, France

 

2005

National Galerie / China Art Museum, Beijing, China

Art Cologne, Germany

 

2004

Fang Lijun, Leben Ist Jetzt, Alexander Ochs Galleries Berlin, Beijing, Berlin, Germany

 

2002

Fang Lijun, Between Beijing & Dali, Woodcuts & Paintings 1989 – 2002, Ludwig Forum für InternationaleKunst Aachen

 

2001

Fang lijun, Asian Fine Art, Berlin

Prüss + Ochs Gallery Germany

 

1998

Fang Lijun, Max Protetch Gallery, New York

From Beijing to Amsterdam and Back, Stedelijk Museum/ Galerie Serieuse Zaken, Amsterdam

 

1996

Fang Lijun: Human Images in an Uncertain Age, The Japan Foundation Asia Center, Tokyo

Fang Lijun, Galerie Bellefroid, Paris

Fang Lijun, Galerie Serieuse Zaken, Amsterdam

 

2005

Kinderszenen – Child’s Play, Rohbaukunst, Groß Leuthen Berlin – Brandenburg, Germany

Mahjong, Kunstmuseum Bern, Switzerland

New Work / New Aquisitions, MoMa New York, USA

Clues, WHITE SPACE BEIJING , Beijing, China

Sammlung Hoffmann Berlin, Präsentation 2006/2007, Germany

ART FORUM Berlin 2005, Berlin, Germany

 

2001

C’est Moi, C’est Nous, Galerie de France, Paris

Millennium Portrait of China, Bremen City Gallery, Bremen

 

2000

Portraits de Chine Contemporaine, Espace Culturel Francois Mitterand, Perigueux, France

 

1998-2000

Inside Out, Asia Society, New York, MoMA San Francisco, Seattle, Monterey

 

1999

d’APERTutto, 48th Venice Biennale, Venice

 

1998

Black & White, Chinese Contemporary, London

5000 + 10, Chinese Contemporary (London), Bilbao, Spain

Double Kitsch: Painters from China, Max Protetch Gallery, New York

 

1996-1997

CHINA!, Kunstmuseum, Bonn

 

1996

4 Points de Rencontre, Chine, 1996, Galerie de France, Paris

Begegnungen mit China, Ludwig Forum, Aachen, Germany

Beijing/No No Soap Opera?, Munich, Germany

New Collection of Commissioned works on the theme ‘Hiroshima’, Hiroshima City Museum of Contemporary Art

 

1995

Visions of Happiness – Ten Asian Contemporary Artists, The Japan Foundation, ASEAN Cultural Centre, Tokyo

Unser Jahrhundert, Ludwig Museum, Cologne

First Kwangju Biennial, Kwangju, Korea

Couplet 4, Stedelijk Museum, Amsterdam

Avant Gardes Artistiques Xineses, Centre d’Art Santa Monica, Barcelona

 

1994-1995

Fourth Asian Art Show, Fukuoka Art Museum, Fukuoka/Setagaya Art Museum, Tokyo

 

1994

Welt-Moral Kunsthalle, Basel

Chinese Contemporary Art at Sao Paulo, 22nd International Biennial of Sao Paulo

New Chinese Art, Hanart TZ Gallery, Taipei

 

1993-1994

China Avant Garde, Haus der Kulturen der Welt, Berlin (also Kunsthalle, Rotterdam, Museum of Modern Art, Oxford, Kunsthallen Brandts Kloedefabrik, Odense, Denmark)

 

1993

China’s New Art, Post-1989, Hong Kong Art Centre, Hong Kong

Mao Goes Pop, Museum of Contemporary Art, Sydney

Passagio ad Oriente, 45th Venice Biennale, Venice

New Art From China Post-1989, Marlborough Fine Art London

 

1992-1993

New Art From China/Post Mao Product, The Art Gallery of New South Wales, Sydney, Queensland Art Gallery, Brisbane, City of Ballaart Fine Art Gallery, Ballaart, Canberra School of Art Gallery, Canberra

 

1992

Fang Lijun and Liu Wei Oil Painting Exhibition, Beijing Art Museum, Beijing

 

 

Group Exhibitions

 

2012

Vision – Chinese Contemporary Art Exhibition, Z-art Center, Shanghai, China

Faces, Minsheng Art Museum, Shanghai, China

Made in China, Va Gallery, Hong Kong

 

2011

Four People, Four Ways, PIN Gallery, Beijing, China
 Bad Exhibition, PIN Gallery, Beijing, China
 A Schema for Printmaking, Contemporary by Angela Li, Hong Kong
 Pure Views: New Painting from China, Asian Art Museum of
 San Francisco, San Francisco, U.S.A.

2010

Shanghai Expo Prints Exhibition (Shanghai), Shun Art Gallery;
 Wellside Gallery; Levant Art Gallery; Ming Liu Arts Institution;Shanghai, China
 Shanghai Expo Prints Exhibition (Tokyo), 香染美術; Gallery Furuya;
 BLD Gallery; Art Complex Center; Satelites Art Lab, 360°Graphics, Tokyo, Japan
 Six + Six: Energy, Pass On, Gallery Yang, Beijing, China
 Pure Views – New Painting from China, Louise Blouin Foundation,London, U.K.
 Negotiations the Second Today’s Documents, Today Art Museum,Beijing, China
 Picture Consumption: Research Representational Painting, Times Art Museum, Beijing, China
 Reshaping History – China Art 2000-2009, CNCC, Beijing, China
 Clouds: Power of Asian Contemporary Art, Soka Art Center, Beijing, China

 

2009

The Face of the Chinese Avant-Garde, Ethan Cohen Fine Arts, New York, U.S.A.
 The Contemporary Art Achievement Exhibition in Commemoration of
 the 60th Anniversary of the Founding of the People’s Republic of China,Beijing Hotel, Beijing, China
 The Home Court: an Exhibition of Contemporary Art,
 White Box Museum of Art, Beijing, China
 Open Vision – Exhibition of Contemporary Chinese Art, Collection of
 Modern and Contemporary Art of the National Gallery in Prague, Czech Republic
 Collision-Cases of Contemporary China Art Experiment, CAFA Art Museum, Beijing, China
 Embrace Suzhou Exhibition of the Chinese Contemporary Arts, Suzhou Museum, Suzhou, China
 The First Academic Contemporary China Engraving Exhibition,
 Today Art Museum, Beijing, China
 CHINAMANIA, Arken Museum of Modern Art, Copenhagen, Denmark
 The Chinese Pavilion at the 53rd International Art Museum Venice
 Biennale – See the World in Grain of Sand, Giardini Arsenale, Venice, Italy
 A Gift to Marco Polo, Island of San Servolo, Venice, Italy
 Arrange of the Journey-Zhang Yichun Teacher & Students Join-
 Exhibition, Today Art Museum, Beijing, China
 BODY, Center of Contemporary Art Shang Dong, Nanjing, China
 China’s ReVision, the Opening of Aye Eastation Gallery, Beijing,
 China Paperwork, DF2 Gallery, Los Angeles, U.S.A.

 

2008

Avant-Garde China: Twenty Years of Chinese Contemporary Art,

the National Museum of Art, Osaka, Japan
 1st.12 Taida Contemporary Art Museum Collection Exhibition, Taida
 Contemporary Art Museum, Tianjin, China Asia 3rd Nanjing Triennial,
 Nanjing Museum, Nanjing, China Art Beijing 2008, National
 Agricultural Exhibition Center, Beijing, China
 Living in Song Zhuang, Song Zhuang Art Museum, Beijing, China
 Encounter, Pace Beijing, Beijing, China
 Case Studies of Artists in Art History and Art Criticism,
 SZ Art Center, Beijing, China
 Half-Life of a Dream: Contemporary Chinese Art from the Logan
 Collection, San Francisco Museum of Modern Art (SFMOMA), San Francisco, U.S.A.
 Cina XXI Secolo. Arte Fra Identità e trasformazione,
 the Palazzo delle Esposizionz, Roma, Italy

2007

On Ink and Wash – A Dialogue Between Contemporary Artists,
 Tank Loft – Chongqing Contemporary Art Center, Chongqing, China
 China – Facing Reality, Museum Moderner Kunst Stiftung Ludwig,
 Wien, Austria Sh Contemporary, Shanghai Exhibition Center,Shanghai, China
 Arrogance & Romance, Ordos Art Museum, Ordos, China
 Red Hot, the Museum of Fine Arts, Houston, U.S.A.

Black White Gray, Today Art Museum, Beijing, China
 Art 38 Basel, Art Basel, Basel, Switzerland
 Inferno in Paradise: 10 Years Alexander Ochs Galleries Berlin;
 Beijing, Alexander Ochs Galleries Berlin; Beijing,Berlin, Germany
 We are Your Future: Contemporary Art from Latin America and China,
 Special Project for the 2nd Moscow Biennale, Ethan Cohen Fine Arts,
 Moscow, Russia

 

2006

Absolute Images Chinese Contemporary Art, Arario Gallery Cheonan, Cheonan, Korea
 The Sacred and the Profane, Alexander Ochs Galleries Berlin; Beijing, Berlin, Germany
 Best Asia, Gallery Artside, Kwanhoon-Dong, Seoul, Korea
 Change, Baibei Museum, Taipei City, Taiwan
 Expressions of Contemporary Chinese Water and Ink Painting,
 Huitai Art Center, Tianjin, China
 A Point in Time-in Wuhan, Fine Arts Literature, Wuhan City Fine Arts
 Literature Art Center, Wuhan, China
 China Coup, The Red Mansion Foundation, London, U.K.
 Red, Diya Art, Tainan City, China

2005

Mahjong, Bern Museum, Switzerland
 New Work/New Acquisitions, MOMA, New York, U.S.A.
 CP Biennale 2005: URBAN/CULTURE, Bank Indonesia Museum, Jakarta, Indonesia

 

2004

East Wind, Museum Franz Gertsch, Switzerland

Dreaming of the Dragon’s Nation: Contemporary Art Exhibition from
 China, Culture of People’s Republic of China & Department of Arts,
 Sport and Tourism of the Republic of Ireland, Irish Museum of
 Modern Art in Dublin, Ireland
 CHINA, THE BODY EVERYWHERE?, Museum of Contemporary Art,Marseilles, France

2003

Chinese Printmaking Today, British Libtary & Muban Foundation,
 British Library, London, U.K.
 From China with Art, National Gallery, Jakarta, Indonesia
 DER REST DER WELT, Neuffer Am Park, Pirmasens, Germany
 Alors, la Chine, Pompidou Center, Paris, France
 CP Biennale 2003: INTERPELLATION, National Gallery Jakarta, Indonesia

2002

Image is Power: Wang Guangyi, Zhang Xiaogang, Fang Lijun, He Xiang
 Ning Art Museum, Shenzhen
 Fang Lijun & Jörg Immendorff, Shanghai Contemporary Albrecht, ochs
 & Wei, Shanghai, Künstler helfen alten und neuen Meistern, Auktion,
 National Galerie Berlin,Germany Guangzhou Triennial 2002,
 Guangdong Museum of Art, Guangzhou, China

 

2001

Millennium Portrait of China, Bremen City Gallery, Bremen, Germany
 Towards a New Image: 20 Years of Contemporary Chinese Painting,
 Beijing: National Art Museum, Shanghai: Shanghai Art Museum,
 Chengdu: Sichuan Art Museum, Guangdong: Art Museum Guangzhou,China
 China Art Now!. Singapore Art Museum, Singapore
 In Holz Geschnitten-Dürer, Gauguin, Penck und die Anderen, Museum
 Bochum, Bochum, Germany

 

2000

Portraits de Chine Contemporaine, Espace Culturel Francois Mitterand,
 Perigueux, France

1998-2000

Inside Out, Asia Society, New York, MoMA San Francisco,
 Seattle, Monterey

1999

48th Venice Biennale, Venice

1998

Black & White, Chinese Contemporary, London
Double Kitsch: Painters from China, Max Protetch Gallery, New York

 

1996-1997

CHINA!, Kunstmuseum, Bonn (travelling to Vienna, Copenhagen and Warsaw)

1996

4 Points de Rencontre, Chine, 1996, Galerie de France, Paris
 Begegnungen mit China, Ludwig Forum, Aachen, Germany
 New Collection of Commissioned works on the theme Hiroshima,
 Hiroshima City Museum of Contemporary Art, Hiroshima, Japan

1995

Visions of Happiness – Ten Asian Contemporary Artists, The Japan
 Foundation, ASEAN Cultural Centre, Tokyo, Japan
 Unser Jahrhundert, Ludwig Museum, Cologne, Germany
 First Kwangju Biennial, Kwangju, Korea
 Couplet 4, Stedelijk Museum, Amsterdam, the Netherlands
 Avant Gardes Artistiques Xineses, Barcelona, Spain

1994-1995

Fourth Asian Art Show, Fukuoka Art Museum, Fukuoka/Setagaya
 Art Museum, Tokyo

 

1994

Welt-Moral Kunsthalle, Basel, Switzerland
 Chinese Contemporary Art at Sao Paulo, 22nd International Biennial of Sao Paulo, Brazil
 New Chinese Art, Hanart TZ Gallery, Taipei, Taiwan

1993-1994

China Avant Garde, Haus der Kulturen der Welt, Berlin
 (also Kunsthalle, Rotterdam, Museum of Modern Art, Oxford,
 Kunsthallen Brandts Kloedefabrik, Odense, Denmark)

1993

China New Art, Post-1989, Hong Kong Art Centre, Hong Kong
 Mao Goes Pop, Museum of Contemporary Art, Sydney, Australia
 Passagio ad Oriente, 45th Venice Biennale, Venice, Italy
 New Art From China Post-1989, Marlborough Fine Art London, U.K.
 New Art From China/Post Mao Product, The Art Gallery of New South
 Wales, Sydney, Queensland Art Gallery, Brisbane, City of Ballaart
 Fine Art Gallery, Ballaart, Canberra School of Art Gallery, Canberra, Australia

1992

Fang Lijun and Liu Wei Oil Painting Exhibition, Beijing Art Museum, Beijing, China

 

 

1989

China/Avant Garde, China National Gallery, Beijing, China

1984

Sixth National Art Exhibition, Guangzhou, China.

 

 

 

Artwork